to do additional work, I can take simple projects and work them in Lumetri pretty nice and decently fast. Then using the Color Wheels and HSL tabs. I've mapped 9 controls of the Basic tab to a Ripple, and it's turned that entire tab from a slow-go waste of time to a fast and decent tool for neutralizing footage. rather more intuitive and capable than you'll find using a mouse.
How to use adobe speedgrade to make clips look similar full#
Especially when used with say a Tangent Ripple or the full Elements panels, it's. That said, Lumetri (PrPro's built-in color corrector) is very good and decently fast at many smaller things. Which is why even though Sg is NOT as capable as Resolve, having the 'Direct Link' process to simply open PrPro projects in SpeedGrade was awesome. Such as you would need to do to get from PrPro 2017 to either SpeedGrade or BlackMagic's Resolve app, the current most-used grading tool by colorists. Taking a video sequence "out" to round-trip as it's called to a separate grading program is a bear. so the sheer power and yet subtlety available is great. You can layer on all sorts of corrections as you choose. SpeedGrade is a lot more capable of some major things than Lumetri especially if you have many critical clips for shot-matching or need multiple secondaries for corrections of say the skin-tones, the room's wall hue, that sort of thing. I've no knowledge of Final Cut, so I can't answer anything about that.
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